Friday, September 15th, 2017 | Author:

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By Ed Fritz

If you’re looking into having a new roof put onto your home, you may have been hearing about some products that claim to be radiant barriers. While there are legitimate products out there, and legitimate companies that install them, it pays to understand the facts about radiant heat and how it works when incorporated into a new roof.

Installing your new roof can be the perfect time to add a radiant barrier without too much additional outlay in time or cost. Before you decide to do so, you should first understand how radiant heat works, so you install a barrier that actually IS effective, and doesn’t just claim to be. Radiant heat is radiation that travels across a space in wave form. The space can be comprised of air and/or gasses or a vacuum. Though this may seem pretty basic, it’s important to understand this principle when evaluating the claims of various products.

There are some foil roofing products on the market that are marketed as radiant barriers when installed directly under the shingles on your roof. While the foil itself may reflect heat, this is not radiant heat, since the waves are moving through an adjacent object and not through a space. It would be considered conductive heat instead. If the shingles are placed directly on the foil, radiant heat cannot be generated since there is no space through which it can move. While some product manufacturers correctly state that, used in this fashion, it is a thermal, but not radiant barrier, some roofing companies may purposely, or inadvertently still sell it as a radiant barrier.

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Knowing all of this, you’re probably still wondering if there is any easy way to install a radiant barrier under your shingles. Fortunately, there is! Once your roofing company understands that YOU understand how radiant heat works, they should be happy to help you come up with a solution. The key is to create some kind of air space between the barrier and the shingles. This can be accomplished with metal, tile or other ‘raised’ type roofs that can provide the required air space. This is usually achieved with wooden battens.

The batten method is quite common and simple to do. Roofing felt or some other type of roof underlayment should be rolled out as usual, followed by a layer of reflective barrier foil. Make sure the foil is perforated so moisture can escape and condensation doesn’t build up. Wooden battens are then installed over the barrier, and then the metal, or tile roof is installed. This method will leave a space for the radiant heat to be reflected away from the roof decking. If possible, small spaces should be left between the battens to allow for even greater airflow.

While this method is usually more expensive and adds a step to the roofing process, if it’s done correctly, you can be assured that your radiant barrier will work properly. Understanding the simple principle of radiant heat will help keep you from falling for scams or products that are incorrectly installed. Your home will stay cooler, helping you to save on energy costs for many years to come.

About the Author: Ed Fritz is the owner of www.AtticFoil.com. His passion is to help homeowners make their homes more comfortable and energy efficient. He has helped literally thousands of customers by sharing his first hand experiences using

radiant barrier foil

. To learn more about Ed and how radiant barrier foil can help cut your energy bill, visit his blog at

The Radiant Barrier Guru

.

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Friday, September 15th, 2017 | Author:

Sunday, March 22, 2009

A Jane Doe who had been living in a New Jersey psychiatric home for 15 years has finally been identified.

The 74-year-old woman, who has been staying at a Hunterdon County psychiatric hospital since she was found wandering lost and disoriented in Woodbridge Township in 1994, has been identified as Elba Leonor Diaz Soccarras.

The state New Jersey Department of Human Services Police has been searching for the identity of Soccarras for years. She was found well-dressed and clean, but alone and with no memory, at the Woodbridge Center mall in Middlesex County with no identification in her purse.

After receiving multiple tips in response to newspaper stories about the woman, Human Services Police Lt. Eduardo Ojeda said the department was able to slowly piece together fragments of information until her identity was confirmed.

Police have still not determined how she ended up at the mall alone or why nobody reported her missing. Authorities will later determine whether a criminal investigation is necessary.

According to The Star-Ledger, Soccarras has said the name “Elba Leonor Soccarras” during her brief stint at the Marlboro Psychiatric Hospital, but no records of the name could then be found, and Malboro officials could not be sure it was her real name due to her deteriorating condition.

Soccarras previously worked at various factories making dolls, dresses, and blouses. She never married, and had one daughter, who refused to comment to media outlets.

In the late 1980s, her health began to decline and she was evicted from her home, and began frequently wandering the streets and other locations, the Star-Ledger reported.

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Friday, September 15th, 2017 | Author:

Thursday, July 3, 2014

The Indian space agency, Indian Space Research Organisation (ISRO), launched five foreign satellites from the Sriharikota facility on Monday morning, using the PSLV-C23 launch vehicle.

The primary payload was an earth observation satellite from France called SPOT 7 which weighed 714 kg. Other satellites included on board were the German AISat, 14 kg; Canadian NLS7.1 (CAN-X4) and NLS7.2 (CAN-X5), 15 kg each; and Singaporean VELOX 1, 7 kg.

The launch took place at 9:52 AM on Monday morning, delayed from the original schedule by three minutes to avoid space debris. This was the 26th successful launch of a PSLV. Along with the US, Russia, the European Union, China, and Japan, India is one of the few nations that offer commercial launch services. These services are provided by Antrix, the commercial department of ISRO. ISRO’s next major launch may be this month using a GSLV-III launch vehicle.

The Indian Prime Minister Narendra Modi was present at the launch site. He addressed the scientists after the launch congratulating them, and asked them to build a satellite suitable for use by all the nations of the South Asian Association for Regional Cooperation (SAARC). He also emphasized the frugal approach of India to the space industry. Phillipe Ghesquiers of Airbus Space and Defense Systems, the builders of SPOT 7, expressed satisfaction at the launch and stated they may use India’s launch services again in the future.

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Friday, September 15th, 2017 | Author:
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Wednesday, September 06th, 2017 | Author:

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Submitted by: Sarah Lee Tan

New drum students often stop to consider where the best place to learn their instrument is school or home? There are certainly benefits to both locations but also some practicalities to consider when you are making your decision. Lets have a look at the advantages and disadvantages of taking your drum lessons at school or at home

Facilities

Unless youre blessed with a top-notch music studio at home, it is unlikely that you will have the same great facilities that are present in most schools. Schools often have their own music department which hosts sound-proof music rooms and great equipment for students to make use of during their lessons and free time. One of the biggest drawbacks to playing the drums is the fact that the kit is so large and, obviously, quite loud once you get started! If you are living in a small house or perhaps have a parent who works from home, your lessons are unlikely to be very popular with the rest of your family due to both space and noise issues.

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Practice makes perfect

If you do have the space to have your drum lessons at home then you will certainly be able to reap some benefits. You are much more likely to practice your drumming if your drum kit is at home right in front of you waiting to be used. Its really easy to practice whenever you want and there will be no one else arguing that its their turn (unless you have a sibling who wants to have a go!). It takes much more discipline to commit yourself to practicing if you have to drag yourself away from your friends and go to your school music room. Additionally, if you want to play at school you will be expected to share the drum kit with other students who are learning so it may not always be too easy to practice whenever you want.

Band involvement

Regardless of whether you take your lessons at school or at home, it is a great idea to lend your new drumming skills to a band obviously, the best place to get involved is at school with other like-minded musicians who have the same free time as you. Being in a band is a great way to practice your drumming and to get another perspective on the instrument outside of your lessons. If youre taking your lessons at home but your parents are unhappy with you practicing all the time due to noise issues, band practice is a great way to get the best of both home and school drumming.

When you decide to start drumming, its important to consider where the best place to take your drum lessons will be. School lessons are great if you dont have the space or facilities at home to learn but you have to make sure that you are disciplined enough to commit to practicing even when youd rather be having fun with your friends at break time. Wherever you take your lessons, youll find a happy medium being involved with a band.

About the Author: Sarah Lee is a music instructor in Singapore who loves to share her extensive knowledge of music and the art of performing to her students and blog readers. Visit her site at

drumlessonssingapore.com

or call (065) 8168 8251.

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Wednesday, September 06th, 2017 | Author:

Saturday, April 23, 2011

Yao Jiaxin, a 21-year-old student at the Xi’an Conservatory of Music, was sentenced to death on Friday. Yao, from Xi’an in China’s Shaanxi province, was convicted of homicide after stabbing a cyclist to death.

On the night of October 20, 2010, Yao ran into 26-year-old cyclist and mother of a two-year-old, Zhang Miao, while driving his car. After he saw her writing down his vehicle’s license plate number following the accident, he feared she would report him, and proceeded to murder her by stabbing her six times. Prior to her murder, Zhang had suffered only minor injuries in the accident, according to police.

On October 23, after being accused of murdering her, Yao went to the local police station with his parents and confessed to the crime. He said he killed Zhang because she had seen his license plate number, and he feared that the “peasant woman would be hard to deal with.”

During a three-hour trial on March 23, 2011, Yao’s lawyer pleaded for a lenient sentence, saying it was a “crime of passion.” Yao tearfully described how he had been forced to play the piano, leading him to thoughts of suicide. But prosecutors and judges said Yao did not deserve leniency, as he had not attempted to help the woman after the accident but instead murdered her.

Public passions were raised and some thought Yao would get off through the influence of his family. The case triggered a public debate over the death penalty.

“The motive is extremely despicable … the measures are extremely cruel … and the consequence is extremely serious,” said the court in its judgment.

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Wednesday, September 06th, 2017 | Author:

Monday, June 7, 2010

An acrobatic group known by the name of Spelbound has been declared as the winner of Britain’s Got Talent 2010, a televised variety talent show competition broadcast on ITV in the United Kingdom. As the winning act of the show, Spelbound have won £100,000 (US$144,580, 120,313, A$175,079) and a place at The Royal Variety Performance, an annual gala evening that is attended by senior members of the British Royal Family.

In no particular order, the top three acts were revealed to be two dancers known by their stage name of Twist and Pulse, gymnastic group Spelbound and Kieran Gaffney, whose act involves playing on the drum kit. After Kieran Gaffney was revealed to be in third place, Anthony McPartlin, who hosts Britain’s Got Talent with Declan Donnelly, said to Kieran: “Well done Kieran. Kieran, you’re a star, you came back, you got all the way to the final. I know you’ve loved this. You’ve loved this, haven’t you?” In response to this, Kieran Gaffney stated: “Thank you very much. Thank you, everyone for supporting me. Thank you.”

Shortly afterwards, on the episode that was broadcast live on ITV1 on Saturday, Anthony announced: “After tens of thousands of auditons, five semi-finals and an amazing final, this…this is it. One of you is about to walk away with £100,000 and a place at this year’s Royal Variety Performance. The winner of Britain’s Got Talent 2010 is…Spelbound!” Glen Murphy from Twist and Pulse commented about finishing in second place, stating: “Yeah, it’s amazing. I can’t even believe it. I can’t believe it at all.”

Alex Uttley, a 24-year-old member of Spelbound, commented on the gymnastic group’s victory, commenting: “Oh, my god. This is unbelieveable. We just want to say thank you to everyone out there. It just shows that all our hard work has paid off.” One of the coaches of Spelbound, named Neil Griffiths, stated about Spelbound: “Oh, they’ve worked so hard over the last few weeks. Um, since the semi-final, we…we really had to pull out the stops to try and up the game. They’ve not known they’ve worked in the gym from six in the morning till twelve…twelve o’clock of the night. I couldn’t have asked for more. Um, it’s a team of coaches. I don’t take all the credit myself. There’s, uh, two people up there that know who they are who’ve been fantastic.”

Spelbound consists of 24-year-old Alex Uttley, Nicholas Illingworth, aged 24, Adam Buckingham, aged 21, 20-year-old Adam McAssey, 19-year-old Douglas Fordyce, 18-year-old Edward Upcott, 18-year-old Leighanne Cowler, 17-year-old Katie Axten, 17-year-old Lauren Kemp, 15-year-old Jonathan Stranks, Abigail Ralph, aged 15, 13-year-old Hollianne Wood and Amy Mackenzie, aged 12. Bookmakers had previously predicted that Spelbound would be the most likely act to become the winner of the series.

The running order for the final started with Twist and Pulse. The second act to perform was Liam McNally, a 14-year-old singer. The running order subsequently continued with 40-year-old impressionist Paul Burling, singer Christopher Stone, aged 28, Tina & Chandi, a woman and dog dancing act, Connected, a five-piece singing group, Kieran Gaffney, aged 12, 22-year-old Tobias Mead, a dancer, 80-year-old singer Janey Cutler and Spelbound in that particular order.

Earlier on in the final, Britain’s Got Talent judge Amanda Holden has stated to Spelbound: “We are hosting the 2012 Olympics and I think ‘what a brilliant opening act’.” Fellow judge Piers Morgan also commented that “[t]he purpose of this show is to identify hidden great British talent. You are that act.” After Spelbound won in the final, another judge, named Simon Cowell, stated that “the right boys and girls won on the night” and that he could “only say on live TV that that was one of the most astonishing things I have ever seen. Seriously.”

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Wednesday, September 06th, 2017 | Author:

Friday, September 28, 2007

Bat for Lashes is the doppelgänger band ego of one of the leading millennial lights in British music, Natasha Khan. Caroline Weeks, Abi Fry and Lizzy Carey comprise the aurora borealis that backs this haunting, shimmering zither and glockenspiel peacock, and the only complaint coming from the audience at the Bowery Ballroom last Tuesday was that they could not camp out all night underneath these celestial bodies.

We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O’Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. “I think Bat For Lashes are beyond a trend or fashion band,” said Jefferson Hack, publisher of Dazed & Confused magazine. “[Khan] has an ancient power…she is in part shamanic.” She describes her aesthetic as “powerful women with a cosmic edge” as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. “I love the harpsichord and the sexual ghost voices and bowed saws,” said Radiohead‘s Thom Yorke of the track Horse and I. “This song seems to come from the world of Grimm’s fairytales.”

Bat’s debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. “It was a surprise that Klaxons won,” said Khan, “but I think everyone up for the award is brilliant and would have deserved to win.”

Natasha recently spoke with David Shankbone about art, transvestism and drug use in the music business.


DS: Do you have any favorite books?

NK: [Laughs] I’m not the best about finishing books. What I usually do is I will get into a book for a period of time, and then I will dip into it and get the inspiration and transformation in my mind that I need, and then put it away and come back to it. But I have a select rotation of cool books, like Women Who Run With the Wolves by Clarissa Pinkola Estés and Little Birds by Anaïs Nin. Recently, Catching the Big Fish by David Lynch.

DS: Lynch just came out with a movie last year called Inland Empire. I interviewed John Vanderslice last night at the Bowery Ballroom and he raved about it!

NK: I haven’t seen it yet!

DS: Do you notice a difference between playing in front of British and American audiences?

NK: The U.S. audiences are much more full of expression and noises and jubilation. They are like, “Welcome to New York, Baby!” “You’re Awesome!” and stuff like that. Whereas in England they tend to be a lot more reserved. Well, the English are, but it is such a diverse culture you will get the Spanish and Italian gay guys at the front who are going crazy. I definitely think in America they are much more open and there is more excitement, which is really cool.

DS: How many instruments do you play and, please, include the glockenspiel in that number.

NK: [Laughs] I think the number is limitless, hopefully. I try my hand at anything I can contribute; I only just picked up the bass, really—

DS: –I have a great photo of you playing the bass.

NK: I don’t think I’m very good…

DS: You look cool with it!

NK: [Laughs] Fine. The glockenspiel…piano, mainly, and also the harp. Guitar, I like playing percussion and drumming. I usually speak with all my drummers so that I write my songs with them in mind, and we’ll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology I can play all kinds of sounds, double bass and stuff.

DS: Do you design your own clothes?

NK: All four of us girls love vintage shopping and charity shops. We don’t have a stylist who tells us what to wear, it’s all very much our own natural styles coming through. And for me, personally, I like to wear jewelery. On the night of the New York show that top I was wearing was made especially for me as a gift by these New York designers called Pepper + Pistol. And there’s also my boyfriend, who is an amazing musician—

DS: —that’s Will Lemon from Moon and Moon, right? There is such good buzz about them here in New York.

NK: Yes! They have an album coming out in February and it will fucking blow your mind! I think you would love it, it’s an incredible masterpiece. It’s really exciting, I’m hoping we can do a crazy double unfolding caravan show, the Bat for Lashes album and the new Moon and Moon album: that would be really theatrical and amazing! Will prints a lot of my T-shirts because he does amazing tapestries and silkscreen printing on clothes. When we play there’s a velvety kind of tapestry on the keyboard table that he made. So I wear a lot of his things, thrift store stuff, old bits of jewelry and antique pieces.

DS: You are often compared to Björk and Kate Bush; do those constant comparisons tend to bother you as an artist who is trying to define herself on her own terms?

NK: No, I mean, I guess that in the past it bothered me, but now I just feel really confident and sure that as time goes on my musical style and my writing is taking a pace of its own, and I think in time the music will speak for itself and people will see that I’m obviously doing something different. Those women are fantastic, strong, risk-taking artists—

DS: —as are you—

NK: —thank you, and that’s a great tradition to be part of, and when I look at artists like Björk and Kate Bush, I think of them as being like older sisters that have come before; they are kind of like an amazing support network that comes with me.

DS: I’d imagine it’s preferable to be considered the next Björk or Kate Bush instead of the next Britney.

NK: [Laughs] Totally! Exactly! I mean, could you imagine—oh, no I’m not going to try to offend anyone now! [Laughs] Let’s leave it there.

DS: Does music feed your artwork, or does you artwork feed your music more? Or is the relationship completely symbiotic?

NK: I think it’s pretty back-and-forth. I think when I have blocks in either of those area, I tend to emphasize the other. If I’m finding it really difficult to write something I know that I need to go investigate it in a more visual way, and I’ll start to gather images and take photographs and make notes and make collages and start looking to photographers and filmmakers to give me a more grounded sense of the place that I’m writing about, whether it’s in my imagination or in the characters. Whenever I’m writing music it’s a very visual place in my mind. It has a location full of characters and colors and landscapes, so those two things really compliment each other, and they help the other one to blossom and support the other. They are like brother and sister.

DS: When you are composing music, do you see notes and words as colors and images in your mind, and then you put those down on paper?

NK: Yes. When I’m writing songs, especially lately because I think the next album has a fairly strong concept behind it and I’m writing the songs, really imagining them, so I’m very immersed into the concept of the album and the story that is there through the album. It’s the same as when I’m playing live, I will imagine I see a forest of pine trees and sky all around me and the audience, and it really helps me. Or I’ll just imagine midnight blue and emerald green, those kind of Eighties colors, and they help me.

DS: Is it always pine trees that you see?

NK: Yes, pine trees and sky, I guess.

DS: What things in nature inspire you?

NK: I feel drained thematically if I’m in the city too long. I think that when I’m in nature—for example, I went to Big Sur last year on a road trip and just looking up and seeing dark shadows of trees and starry skies really gets me and makes me feel happy. I would sit right by the sea, and any time I have been a bit stuck I will go for a long walk along the ocean and it’s just really good to see vast horizons, I think, and epic, huge, all-encompassing visions of nature really humble you and give you a good sense of perspective and the fact that you are just a small particle of energy that is vibrating along with everything else. That really helps.

DS: Are there man-made things that inspire you?

NK: Things that are more cultural, like open air cinemas, old Peruvian flats and the Chelsea Hotel. Funny old drag queen karaoke bars…

DS: I photographed some of the famous drag queens here in New York. They are just such great creatures to photograph; they will do just about anything for the camera. I photographed a famous drag queen named Miss Understood who is the emcee at a drag queen restaurant here named Lucky Cheng’s. We were out in front of Lucky Cheng’s taking photographs and a bus was coming down First Avenue, and I said, “Go out and stop that bus!” and she did! It’s an amazing shot.

NK: Oh. My. God.

DS: If you go on her Wikipedia article it’s there.

NK: That’s so cool. I’m really getting into that whole psychedelic sixties and seventies Paris Is Burning and Jack Smith and the Destruction of Atlantis. Things like The Cockettes. There seems to be a bit of a revolution coming through that kind of psychedelic drag queen theater.

DS: There are just so few areas left where there is natural edge and art that is not contrived. It’s taking a contrived thing like changing your gender, but in the backdrop of how that is still so socially unacceptable.

NK: Yeah, the theatrics and creativity that go into that really get me. I’m thinking about The Fisher King…do you know that drag queen in The Fisher King? There’s this really bad and amazing drag queen guy in it who is so vulnerable and sensitive. He sings these amazing songs but he has this really terrible drug problem, I think, or maybe it’s a drink problem. It’s so bordering on the line between fabulous and those people you see who are so in love with the idea of beauty and elevation and the glitz and the glamor of love and beauty, but then there’s this really dark, tragic side. It’s presented together in this confusing and bewildering way, and it always just gets to me. I find it really intriguing.

DS: How are you received in the Pakistani community?

NK: [Laughs] I have absolutely no idea! You should probably ask another question, because I have no idea. I don’t have contact with that side of my family anymore.

DS: When you see artists like Pete Doherty or Amy Winehouse out on these suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and with their music?

NK: It’s difficult. The drugs thing was never important to me, it was the music and expression and the way he delivered his music, and I think there’s a strange kind of romantic delusion in the media, and the music media especially, where they are obsessed with people who have terrible drug problems. I think that’s always been the way, though, since Billie Holiday. The thing that I’m questioning now is that it seems now the celebrity angle means that the lifestyle takes over from the actual music. In the past people who had musical genius, unfortunately their personal lives came into play, but maybe that added a level of romance, which I think is pretty uncool, but, whatever. I think that as long as the lifestyle doesn’t precede the talent and the music, that’s okay, but it always feels uncomfortable for me when people’s music goes really far and if you took away the hysteria and propaganda of it, would the music still stand up? That’s my question. Just for me, I’m just glad I don’t do heavy drugs and I don’t have that kind of problem, thank God. I feel that’s a responsibility you have, to present that there’s a power in integrity and strength and in the lifestyle that comes from self-love and assuredness and positivity. I think there’s a real big place for that, but it doesn’t really get as much of that “Rock n’ Roll” play or whatever.

DS: Is it difficult to come to the United States to play considering all the wars we start?

NK: As an English person I feel equally as responsible for that kind of shit. I think it is a collective consciousness that allows violence and those kinds of things to continue, and I think that our governments should be ashamed of themselves. But at the same time, it’s a responsibility of all of our countries, no matter where you are in the world to promote a peaceful lifestyle and not to consciously allow these conflicts to continue. At the same time, I find it difficult to judge because I think that the world is full of shades of light and dark, from spectrums of pure light and pure darkness, and that’s the way human nature and nature itself has always been. It’s difficult, but it’s just a process, and it’s the big creature that’s the world; humankind is a big creature that is learning all the time. And we have to go through these processes of learning to see what is right.

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Sunday, August 20th, 2017 | Author:

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Kitchen Secrets for Beautiful Skin: Salt

by

Dr Ashutosh Gautam

Ever wondered why sea salt was such a prized item in ancient times? Well, thats because its one of the essential nutrients required by the body for digesting food, conducting nerve impulses, contracting muscles, maintaining pH in blood, and balancing electrolytes in intracellular and extracellular fluids. And then theres its prime pride of place in the kitchen as a taste maker or enhancer. But salt goes even beyond, as a skin, body and hair-care ingredient. Our bodies contain the same composition of minerals and nutrients as sea water, so it is easy to understand that sea salt isa natural ally to balance, protect, and restore the body and skin.

Skin Balancing Face Mask Both Honey and salt are excellentdeep-pore cleansers.Mix two teaspoons of salt in four teaspoons of Honey to make a paste. Apply evenly to clean, dry skin, avoiding eye contours. Keep on for 10-15 minutes, and wash offwith plain water while gently moving your fingers in a circular motion to exfoliate dead skin cells.

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Body scrub Makea gentle exfoliating body scrub by adding a quarter cup of salt, half a cup of Olive oil and 10 drops of Lemongrass essential oil to make a thick paste. Apply in the shower with a loofah or washcloth, gently scrubbing all over your body in a circular motion.

Rejuvenating face scrub Salt is a skin-softening exfoliate that restores the skin. Aloe vera hydrates, heals, and aids skin cell turnover, and Peach improves skin texture and helps to fight skin damage caused by sun and pollution.

Mix a half cup of salt, a quarter cup of Aloevera juice or gel, a quarter cup of coconut oil and paste of Peach fruit. Apply evenly on face, leave for 510 minutes, and gently scrub in a circular motion while cleansing with plain water. This face pack is loaded with Vitamin A, Vitamin C, Vitamin K, Beta Carotene, Potassium, Magnesium and Selenium, whichhelps protect skin from hazardous UV rays. Mantras Peach Saffron Himalayan Rock Salt Micro Exfoliating Face Scrub contains the goodness of million-year-old rock salt rich in 84 minerals, Saffron oil which improves skin radiance, and Peach extracts that helps to reduce wrinkles.

Salt is not only used in beauty recipes but to treat health conditions such as asthma and obstructive pulmonary diseases that do not respond to regular treatment. Those who suffer from Asthma have sodium chloride deficiency in their lungs; by breathing in salt, the salt molecules enter the moist lungs and breakdown into Sodium Positive ions and Chlorine ions. The blocked mucus in airways gets cleared, reducing the dependence on medications such as inhalers and nasal sprays.Salt therapy is also recommended for chronic skin conditions such as Psoriasis and eczema. Many salt spas are promoting Himalayan rock salt pink crystals because they are the most nutrient-dense salt of all considered to be beneficial for headache, weight loss, and to detox the body and balance hormones.

Dr Ashutosh Gautam manager clinical operations & brand development at Shree Baidyanath Ayurveda Bhawan Pvt.ltd

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Sunday, August 20th, 2017 | Author:

Saturday, March 21, 2009

New Jersey has reversed its plans for a state-wide ban on bikini waxing after salon owners from across the state spoke out against the proposal.

The New Jersey Board of Cosmetology and Hairstyling planned to consider a ban on so-called “Brazilian waxes” in response to two women who reported being injured during a wax.

But state Consumer Affairs Director David Szuchman, who oversees the board, asked them to abandon the ban in favor of reviewing and establishing safeguards for those who provide the service.

“Many commentators have noted that the procedure could be safely performed,” Szuchman wrote in a letter to state board President Ronald Jerome Brown, according to the Asbury Park Press. “I, therefore, believe that there are alternative means to address any public health issues identified by the board.

Salon owners from across the state expressed relief with Szuchman’s decision.

“It was an unnecessary issue,” spa owner Linda Orsuto told the Associated Press. “In New Jersey especially, where the government has been picking our pockets for so long, it was like, ‘Just stay out of our pants, will you?'”

Although millions of Americans get bikini waxes, which generally cost between $50 and $60 per session, the practice comes with risks. Skin care experts say the hot wax can irritate delicate skin in the bikini area, and result in infections, ingrown hairs and rashes.

Waxing on the face, neck, abdomen, legs and arms are permitted in New Jersey. Although state statutes have always banned bikini waxing, the laws are seldom enforced because the wording is unclear.

If the measure had passed, New Jersey might have become the only US state to ban the practice outright.

Although Szuchman’s letter was crafted more as a recommendation than an order, media reports said the ban would likely never be approved without his support because his office oversees the board.

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